Tag: Artists

SUMMER READING CHALLENGE: FOUR CREATE ARTISTS SHARE FAVOURITE CHILDREN’S BOOKS

We have partnered with The Reading Agency for this year’s Summer Reading Challenge, designed to ignite children’s imaginations and foster creativity through the joy of reading.

This year’s Challenge theme is ‘Marvellous Makers’, encouraging children to explore new stories, join free library activities, and express creativity through various art forms. Our own professional Create artists have designed seven creative activities accompanying this year’s Challenge, from junk modelling to music, dance to drawing and painting.

We asked four of these inspirational artists – Alejandra Carles-Tolra, Beth Coleman, Rachel McGivern, and Paul Pickford – to share their favourite books and share how these stories inspire their creativity, showcasing the magical link between reading and artistic expression.

ALEJANDRA CARLES-TOLRA (PHOTOGRAPHER)

What is a book that inspires you?

“Press Here, by Herve Tullet”

How has it inspired your creative practice?

“With my artistic practice, I encourage myself and others to transform the ordinary into the extraordinary. What I love about this book is that it turns simple circles into something really fun and exciting.”

Why should children read it?

“It demonstrates how simple it can be to be creative and use your imagination. It shows that you can have fun with anything in life.”

www.alejandractr.com

BETH COLEMAN (DANCER)

What is a book that inspires you?

“Dr. Seuss: Oh, the Places you’ll Go!”

How has it inspired your creative practice?

“I love the words and rhythm in this book. The language and illustrations conjure up amazing imagery in my head of this fun, outrageous and unpredictable story.

“It encourages me to think bigger when creating work, not take the obvious choice, and that any idea is worth exploring, even if it leads nowhere – I would have learnt something along the way which will be useful when I least expect it.

“I find it especially inspiring when I’m having a block. As an artist, this can feel scary but this book reminds me that it is completely normal and happens to everyone. Waiting just around the corner is a moment of brilliance (or an elephant on skates!) and I just need to trust I will find it when it’s right.”

Why should children read it?

“It’s easy to think that everybody else has it all figured out, especially when we feel like we don’t. But this book is a great reminder that life doesn’t follow a straight line, and there will be many twists and turns along the way. And who knows what magic awaits!”

‘You’re off to great places!

Today is your day!

Your mountain is waiting.

So … get on your way!’ – Dr. Seuss

@bethcolemanuk

RACHEL MCGIVERN (VISUAL ARTIST)

What is a book that inspires you?

“I really love the book Beastly Tales from Here and There by Vikram Seth, which I was given a copy of as a child.”

How has it inspired your artistic practice?

“I ended up studying illustration at university because I was really inspired by seeing how illustrations can add excitement and interest to stories. 

“The copy of Beastly Tales from Here and There I own has small, beautiful ink illustrations of animals with funny expressions and a sense of playfulness. I always try to bring energy into the art I make, and love using materials like ink, paint, pencils and collage as they look handmade and unique.”

Why should children read it?

“The book is made up of funny short stories, which rhyme, with lots of cheeky animals and characters. 

Vikram Seth was inspired by fables from lots of different countries about animals – India, China, Greece, Ukraine – and he’s even made up his own stories about the Land of Gup. 

I think this book is a good reminder that we can be playful with storytelling, come up with our own versions of old stories and also use art and drawing to bring them to life.”

@rachmcgivern

PAUL PICKFORD (VISUAL ARTIST)

What is a book that inspires you?

“A book that inspired and inspires me is The Iron Man by Ted Hughes.”

How has it inspired your creative practice?

“It inspired my artistic practice by being full of cool, weird and mysterious imagery and ideas. Also, the copy that I first read at school had brilliant illustrations that didn’t show too much but worked with your imagination. For example, the artwork showed the size of the space/bat/angel/dragon without any detail of precisely what it looked like. A great example of what illustrations should do, working with the words and not replacing or repeating them. On reflection, early in the story The Iron Man makes himself, which would have fuelled my model making and sculpture ideas.”

Why should children read it?

“I think it will intrigue and inspire them and for the best reason – it’s fun!”

@pickford7076 @paulpickford7076

Our Patron Isy Suttie has also shared a favourite children’s book with us and why she thinks creativity is so important. You can head over to her interview here.

meet Create artist, renata

Renata Minoldo is a London-based artist and educator who has been delivering creative projects with Create since 2018. We spoke to Renata about her practice, working with different community groups and the importance of creativity.

Watch the video interview or read the excerpt below.

“I’m a visual artist and educator. My practice is not about a specific technique, it’s more about exploring senses, feelings and emotions and gathering people together for them to connect with themselves first, then with others.”

renata minoldo, create artist

working with create

“I have been a Create artist since 2018, so that’s four years now. I met a lot of people online first. Now we have our own sharings and socials and that’s been amazing because I feel like part of a group. It’s really nice. As Create project managers get to know me better, I have more freedom which I really appreciate. I get to do more risky things or use very specific techniques that are out of the norm.

“I have learnt a lot from facilitating Create projects. For example, I have learnt how to read groups better. Recently we did an online project with adult carers in Enfield. After sensing a certain energy in the room, I decided to start every session doing some tapping, some self-massage, and a little bit of breathing and grounding into the space. After that, the participants kept asking for it in each session. They were so into it, so I think I’ve learnt to read the groups I work with better.

the benefits of creativity

“Creativity is everything. It is such a big part of my life. It is happiness. It’s in everyday life when you open your fridge and you decide what to cook with whatever you have. Creativity is innate to us. When we are children we don’t have so many boundaries regarding what’s creative and what isn’t. We can express ourselves freely. Over time we get a little more stuck in our own safety box, but creativity is such an important thing. It is absolutely related to our wellbeing. Being able to express ourselves creatively brings us joy.

“Creativity gives people a voice, but to get into that voice takes time, so I’m happy when I see someone can let go of their own judgements about themselves. I think that’s the first step. Everyone is an artist and we are all different, there is no right or wrong way to do things.”

Find out more about Create’s professional artists by clicking here.

Holly Khan: From Nurturing Talent to Board of Trustees

Holly Khan is a professional musician and facilitator. In October 2021, we appointed her a Trustee of Create.

Holly balances her time between music composition and running workshops with a wide range of people, including our Create participants. She first came into contact with us through our emerging artist development programme, Nurturing Talent. We invited Holly to take part in Al Gore’s Climate Reality Leadership training this year, along with eight other Create colleagues.

We spoke to Holly about her journey with Create, her work with other organisations – including her own social enterprise, Heartstrings – and her passion for championing climate action.

Your journey with us began with Nurturing Talent. How do you feel about the programme now, in hindsight?

I found it incredibly useful. I already had a lot of the skills and tools, but Nurturing Talent gave me the connections and confidence to establish myself as a facilitator. Working across the year with such a vast demographic of participants, from SEND young people to older people living with dementia, really empowers you to feel like you can walk into any room and lead a workshop. After just a few months on Nurturing Talent, I started to feel confident in applying for paid positions, and I’ve never looked back. Now, 50% of my income is facilitation and 50% is composition. That really wouldn’t have been the case if I hadn’t done Nurturing Talent.

Can you tell me about the social enterprise you’ve set up?

It started years ago in my brain; it started more tangibly about a-year-and-a-half ago. I applied for/was recruited by an organisation called Year Here. You get put on the front line of social injustice, you work in different areas, you research, you prototype, and you end up making your own social enterprise. On my cohort of people there was someone who has worked as a coder for NASA, there was a financial editor. I was there as a composer and I had massive imposter syndrome.

I am still working on it, but Heartstrings is running. It’s a creatively conscious childcare service. We provide workshops for six-month-olds to six-year-olds, and we focus on music, movement and mindfulness, to develop milestones and encourage empathy. We do this by employing refugees – refugee artists and care experts – to lead these workshops. There’s a unique cultural exchange in every workshop because we share songs and stories from around the globe. It’s a subsidised model so more affluent families pay more and lower income families pay less so there’s a social economic mix of people in the room. The vision is to expand all over London and regionally as well.

“I’m very lucky to do not only what I love but multiple things I love.”

Holly Khan

How does composition fit into this mix?

I’m very lucky to do not only what I love but multiple things I love. My first love is connecting through music. That’s in composition and in facilitation. I never like music for the technical aspects. I learnt very early on, when I was about 18, that if you’re not practising for eight hours a day then you’re not going to get super far as a classical musician or a session musician, so I said: ‘That path isn’t for me.’

I try to compose for things that have a social mission. I’ve written music for plays that raise awareness about undiagnosed heart conditions (Ticker by Tom Machell is currently at the Turbine Theatre raising money for CRY charity); and I wrote a piece called Their Voices, which was part of the Global Health Film Festival in the Barbican, about children in Iceland seeing their landscapes disintegrate. It was about climate change. And this last week I composed for Amal Meets Alice, which was commissioned for The Story Museum. Amal is a refugee puppet, based on a real Syrian girl. Handspring Puppet Company – the people who made War Horse – and Good Chance – the people who made The Jungle – have created her and she’s walking through cities from Syria. She was just in Oxford, and I was composing for that performance. It was amazing. Seeing 20,000 people turn up and support this cause. Everywhere she goes is an arts festival. And then yesterday I just closed an audio installation commissioned by Let’s Do London, the GLA, Mayor of London and Battersea Arts Centre. My piece was a provocation, that more could and should be done about women’s safety in light of Sabina Nessa and Sarah Everard. That was really great to do.

How did you find the Climate Reality training, and how do you think it will affect your work?

It was very eye-opening. It was very disturbing. The most disturbing thing to me is not only that these things are happening, but they’re not being reported. Having said that though, it was very hopeful. I really enjoyed learning about the ways to be hopeful; and how hope is a practice, how you don’t have to be a scientist to be able to take steps in solving the climate crisis: you can be an artist, you can be a musician. That was really important to hear. Because you can feel helpless.

How can we make it easy for people to buy into this movement? I’m half-Guyanese and half-British, and Guyana is incredibly affected by the climate crisis. When I look at my landscape in London, when I look out of the window, nothing has changed because of the climate crisis. So it’s really hard for people to connect to the fact that human beings in other parts of the world are having their houses ripped apart by flooding or fires. Having that understanding and thinking of the world as a borderless place is something I want to take forward and use as a practice, to get people to think about where they’re from, not just where they wake up, but where their ancestors are from, where their friends and family are from.

You’re championing this issue on our Board of Trustees. How do you think Create can take this issue forward?

First and foremost, it’s really exciting. It’s very common with a board of Trustees that I’m not only the youngest, I’m also currently the only person of colour and I’m a woman. These things all intersect. So my ideas about the climate crisis, and how I want to present that, all intersect with this historically not being a place where people like me would be able to do that. I’m very pleased to be that voice.

At Create, we’ve spoken a lot about how over the next 5-10 years we’re going to reduce waste, not only practices of recycling, but how in travel and transportation, in deliveries, in materials, we can make a difference and an impact. But also what I think I’m most excited about is how we can raise awareness thematically. Create interacts with hundreds of participants. How can we use the climate crisis as a theme to inspire people to take action? The environment is something that older people, young people, anyone can relate to, so what if we use this as a theme for the workshops and use that as a trajectory of change?

How does it feel being part of the Create Board?

It sounds like such a simple thing, but actually feeling represented and being represented is so important. What I’m most proud of is that anyone coming through Nurturing Talent, or any participant, young girls who experience racism, can see that it’s possible to get into these rooms. And not only get into these rooms but have a voice and use it.

How do you feel about your journey with Create, now that you reflect on it?

I feel very lucky. There aren’t many times in a freelance, self-employed or creative person’s life where there are tangible stepping stones. A lot of the time it’s side to side, you finish a job and you’re back to square one. But with Create there has been this amazing trajectory for me where everything I’ve done has added up and has become a ladder for me to climb. That is amazing. I would never have anticipated when I started Nurturing Talent that it would open all these doors and bring me to where I am now. It is down to the organisation trusting me and believing in me, and I want this to be a lifelong relationship.